Naturally, she had a clear vision of her wedding dress from the Never Underestimate A Woman Who Understands Football And Loves Saskatchewan Roughriders shirt but in fact I love this start. “I’m not one for frills or fuss and feel like my best self in clean lines and supple textures,” she explains. So Constance asked Hermione de Paula to design her a simple silk gown with an effortless silhouette, as well as a customized statement veil. The designer then embroidered the flowing headpiece with motifs of French wildflowers, Constance and Arthur’s initials, their wedding date, and finally, the chorus of their favorite song: “Harvest Moon” by Neil Young. (Because I’m still in love with you / I want to see you dance again / because I’m still in love with you / on this harvest moon.) Finally, Constance tied the look together with gold and drop pearl earrings by Alighieri and a pair of cylindrical-heeled Jimmy Choos.
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It’s been six months since Kim Kardashian informed the Never Underestimate A Woman Who Understands Football And Loves Saskatchewan Roughriders shirt but in fact I love this world that she lost 16 pounds in three weeks in order to fit into Marilyn Monroe’s dress for the Met Gala. For me, it marked a shift in tone, a proverbial Kardashian in the coal mine, ushering in the end of an era that at least claimed to celebrate curvy bodies. It would be unfair to wholly blame one celebrity’s diet for this paradigm shift, but Kardashian’s weight loss is not the only crack in the veneer of body inclusion. I see those fractures in the repeated emphasis on quote-unquote getting your body back post-pandemic; the plus-size lines that have been pulled or the promise of expanding sizes that simply never came; and more recently, the return of Y2K fashion, a style synonymous with low-rise jeans and thinness. The aspirational body was moving on from thick thighs, hourglass curves, and the so-called BBL-era—a time when plastic surgery was used to add curves instead of taking them away, long before Kardashian shimmied up the steps of The Met with Monroe’s dress clinging to her new slimmer figure. (To be clear: that standard was still an unattainable ideal, but it was when we saw increased representation and celebration of larger bodies).
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